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・ Instrumental rock
・ Instrumental temperature record
・ Instrumental Tourist
・ Instrumental value
・ Instrumental variable
・ Instrumental-comitative case
・ Instrumentales con Al Hurricane
・ Instrumentalism
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・ Instrumentality (theology)
・ Instrumentality of Mankind
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・ Instrumentals (Lil Rob album)
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・ Instrumentals (Mouse on Mars album)
Instrumentals (Nels Cline Singers album)
・ Instrumentals (Ricky Skaggs and Kentucky Thunder album)
・ Instrumentals (The Pharcyde album)
・ Instrumentals Vol. 1
・ Instrumentalyst (Octagon Beats)
・ Instrumentation
・ Instrumentation (computer programming)
・ Instrumentation (disambiguation)
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Instrumentals (Nels Cline Singers album) : ウィキペディア英語版
Instrumentals (Nels Cline Singers album)

''Instrumentals'' is the debut album by The Nels Cline Singers led by American guitarist Nels Cline which was released in March 2002 on the Cryptogramophone label.〔(Crypotogramophone album entry ), accessed August 15, 2014〕
==Reception==

The Allmusic review by Thom Jurek awarded the album 4½ stars out of 5, stating "This is one of Cline's strongest and most innovative efforts".〔 All About Jazz stated "Jazz fans without an ear open to rock rhythms, energy music, or punk sensibility will almost certainly fail to appreciate what the Nels Cline Singers have done on ''Instrumentals''. But Cline doesn't really care about that. His music is a defining statement of identity, a cry from the heart without pretense or ambiguity. For the open-minded, this record will stack up as one of the very best of the year. It's deep, exciting, and viscerally satisfying".〔 Pitchfork Media's Sam Ubl stated "While ''Instrumentals'' suffers a bit in comparison to Cline's previous studio work with the huge ''Destroy All Nels Cline'' ensemble, it's mostly because the three-piece lineup curtails some of the wild tonal exploration done on that record. Don't fret, though, these folks still have an awful lot going for them".〔 JazzTimes' Ron Wynn noted "There's certainly a lot to admire about what Nels Cline is doing on much of ''Instrumentals'', but there's just too much chaos during those segments that don't work".〔Wynn, R., (JazzTimes review ), July/August 2002〕

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